After earning a degree in Scenography, Clémence completed a Master’s in International Design Strategy in Shanghai. Active within local music scenes, she began designing for events and venues across Europe and Asia. She founded Studio 333, specializing in graphic design for cultural and event-based projects.
In parallel, Clémence explored her personal style through drawing, developing a bold aesthetic of curvy, organic, and vibrant lines. Her signature bumps give her plump figures and puffed-up objects a playful, inflated personality. Influenced by pop and underground cultures, her colourful work reflects the world as she sees it: familiar yet strange, rich in complexity and full of life.
She now works on commissioned, collaborative, and self-initiated projects collaborating with clients from diverse fields like fashion, publishing, music and events.
Recent clients include: The New York Times, Volcom, Astropolis, Stereolux, Cinépride, Kostar, Berliner Zeitung, Tsugi, So Young Magazine, Vice, Les Inrockuptibles, Bloomberg Businessweek, De Morgen, T Le Temps, Télérama, Die Zeit and more!
Let’s work together : hello.studio333@gmail.com
Follow me : @clemencemira_
In parallel, Clémence explored her personal style through drawing, developing a bold aesthetic of curvy, organic, and vibrant lines. Her signature bumps give her plump figures and puffed-up objects a playful, inflated personality. Influenced by pop and underground cultures, her colourful work reflects the world as she sees it: familiar yet strange, rich in complexity and full of life.
She now works on commissioned, collaborative, and self-initiated projects collaborating with clients from diverse fields like fashion, publishing, music and events.
Recent clients include: The New York Times, Volcom, Astropolis, Stereolux, Cinépride, Kostar, Berliner Zeitung, Tsugi, So Young Magazine, Vice, Les Inrockuptibles, Bloomberg Businessweek, De Morgen, T Le Temps, Télérama, Die Zeit and more!
Let’s work together : hello.studio333@gmail.com
Follow me : @clemencemira_
